[X&Y] The Most Critical 30 Minutes In Dating
Published: Tue, 12/20/22
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IN THIS EDITION: There's a certain half-hour window of time where
your success will be made or broken by NOT doing what most other
guys can't help doing.
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THE MOST CRITICAL 30 MINUTES IN DATING
Emily and I decided to rent a movie. The mood struck me for some
reason to go old-school and I suggested "Roman Holiday", which
seemed like a solid choice because neither one of us had ever seen
it before.
So "Roman Holiday" it was.
Now, I famously can't sit through "chick flicks", despite my ginormous
personal "swipe file" of solid dating strategy gleaned from such
movies.
My silver bullet there, you see, is to watch old movies.
A major difference between modern romantic comedies and the
old-school movies is that real men are portrayed in the latter.
And these REAL MEN are typically attracting REAL WOMEN.
All the low-end prurient stuff is absent as is any hint of cultural
feminization, and for some reason this enhances the demonstration
of pure attraction at work.
All of this, of course, is highly valuable study material when learning
how to attract the highest level of woman imaginable.
And best of all, nobody seems to be watching these movies nowadays,
so doing so is like gaining an unfair advantage.
Now I could go on about the several different ways in which this
movie is a gold mine.
But today we're going to focus on one key, often underestimated
and little-understood factor that leading man Gregory Peck is the
MASTER of in this particular movie.
His character delivers on this principle better perhaps than even
Sean Connery's James Bond himself.
I call it "the most critical thirty minutes in dating".
Whether you are a man or a woman, what you do with this fleeting
half-hour of time will make or break the future of your relationship
with whomever you are relating to.
These thirty minutes begin ticking, of course, at the very moment
one realizes that his or her date is sexually attracted.
The difference maker is how exactly one reacts to this development.
Women stereotypically have a firm grasp on this concept, as men
are similarly stereotyped as telegraphing sexual attraction all too
blatantly.
Many women instinctively sense just how much power is they wield
in such a case, and use it effectively to cast a spell upon a man and
put him under her full control.
Meanwhile, we as guys often have no idea how powerful it is not to
be needy when it comes to sexual attention.
And worse, once we sense that a woman is "feeling it", we proceed
to blow all screaming potential to smithereens.
Why?
Simple. We put too much focus on sex as a "prize", and we forget
about the woman.
But not Gregory Peck's character in "Roman Holiday".
When he encounters a presumably drunk Audrey Hepburn late
at night on a park bench, he reluctantly ends up taking her back to
his place.
Whether Audrey is really so disoriented or not is left to the
imagination, but regardless...she announces her plans to undress
and go to sleep whether Gregory Peck is standing there or not.
Now at this point, do I need to tell you how most sex-starved guys
would act?
Meanwhile, Greg (not yet realizing that Audrey's character is really
a princess from a foreign country) furrows his eyebrows at her
brattiness and throws a set of men's pajamas at her.
He tells her he's going to "get coffee" and will be back in five
minutes...and that she'd better not even think about taking the
bed. The couch is over there.
Audrey is left thinking, "Who is this guy?", intrigued by his utter
lack of sexual neediness.
Here, obviously, is a man who is very picky about his women
and all about making sexual decisions on his own terms.
In the morning, Audrey wakes up and Greg is the image of
coolness. With her senses back in order, she soon discovers
on her own that he had not "taken advantage" of her.
She's more intrigued than ever.
In an ironic twist, Greg actually lets her leave his apartment,
serving notice to Audrey that he's not in the least bit desperate.
He really is man enough to let her go, therefore she clearly
isn't to be considered "out of his league". If anything, quite
the opposite.
Of course, in the midst of other plot complications incidental
to the point at hand, he doesn't really let her get away.
And as soon as he sees her again, it's very obvious that
Audrey is digging him.
Still, Greg plays it cool. His paws aren't all over her and he's
probably still not even convinced for himself.
He refuses to chase her.
Greg has succeeded wildly at the "big four". He is
masculine, his intrigue interests her, he is confident, and--
importantly--he inspires confidence in her that she is safe in
his presence.
So the thirty minutes begin ticking.
Make no mistake, he may have been able to steal a kiss
and start having his fun with her right then and there.
But watching the movie, you can't imagine Greg blowing
his high-end persona and being such a shortsighted
bonehead.
Nope, this guy is for real.
And, sure enough...about a half an hour later he is rewarded
by Audrey's show of affection toward him.
Let's not overlook the fact that Audrey knew exactly what
was going on there and responded with the awe-inspiring
manner of feminine charm and class which defined her entire
acting career.
By the time night falls upon 1953 Rome, having spent the
day with Audrey--and significantly, having withstood the tests
posed by the interest of other men--he reaps the benefits of
being a man who deserves.
A princess has fallen in love with him.
Now listen, I fully get that when two people realize that sexual
chemistry is "on" there's no logical reason to wait around.
But the sheer confidence and prowess associated with
escalating sexual tension is what separates the needy and
the sex-focused also-rans from the true champions here.
The patience of a man who knows the raw power of sexual
tension contributes to his ability to deserve a princess.
And as it turns out, he need not settle for anything less,
right?
Yeah, but we're discussing a seventy-year-old work of
fiction here. Or are we?
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